V. Vojnovi&chachek; writes from a perspective intensely situated
within the contemporary political climate, and critical commentary on
his fiction tends to underscore the radically satiric nature of his
texts, a nature that invests his writings with subversive force. In
particular, he is famous for exposing the ideologies and stereotypes
of the dominant cultural forces in the totalitarian world, in the
process deconstructing the existing cultural myths. Literary critics
see this strategy as formidable in Vojnovi&chachek;'s futuristic novel
Following this line of argument, I intend to show that the text
gets its tremendous verbal energy largely because of the powerful way
in which it parodies and thus transforms the conventions of literary
modes pertaining to this culture. By playing with a variety of genre
configurations, Vojnovi&chachek;'s book makes an effective political
statement precisely because it ironically reverses the ideological
constructs inherent in genre making. It is in terms of these writing
strategies that I would like to analyze the rich and multi-voiced
texture of
Baxtin provides an extremely relevant framework within which to
approach Vojnovi&chachek;'s dialogue with other discourses and explore
the dynamics of his literary subversions.
My study will show the relevance of Baxtin's emphasis on the
importance of parody to
As my paper will demonstrate, the process of subversion associated with the Baxtinian notion of the carnivalesque occurs through Vojnovi&chachek;'s parodic dialogues with various literary, cultural, and political targets. The novel, at the linguistic level, plays with the Soviet officialese and political jargon, parodies the formal and thematic contentions of the utopian/dystopian tradition, the emigre novel, science fiction, reactionary Russian nationalism and the like. All these activities contribute to the complex Menippean logic of the carnival, the logic that calls into question the existing structures and traditional cultural myths, causing a shift in the perspective from which they can be interpreted. This essentially ambivalent carnivalesque logic forms the fabric of Vojnovi&chachek;'s text.