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Technology, the Liberal Arts, and the Russian Language Curriculum
Русские собирательные числительные: семантика против грамматики
Vowel Reduction and Language Change in Russian and Belarusian Verbs
Russian “Purely Aspectual” Prefixes are a Verb Classifier System
Khovanshchina and Musorgsky's Philosophy of Love
Boris Godunov and the Terrorist
Barskova's Metamorphoses
Newest Tradition: Translating Maria Stepanov
Anna Glazova, Poems and Photographs
Disappointed Teenagers: Suicide and Trickery in Ernest Iasan’s Youth Films
Sergei Parajanov: Brushes with Cultural Autonomy and Political Risk
Rocking Past the Red Tape: The Rock‑n‑roll Film and the late Soviet Film Industry
Osip Mandelstam and the Dating of Poetry
From Native Land to No‑Land's‑Man: Marina Tsvetaeva's Renunciation of Homeland
The Last Place You’d Look: Humor in Mayakovsky's Political Poemy
Tears to Burn Down Cities”: Revolutionary Emotions in Mayakovsky’s Poetry
The Dynamics of Bilingual Mental Lexicon: The Effects of Partial Conceptual Equivalence on Acquisition of Russian as an L2
Птица [ш]астья завтрашнего дня: The Status of “щ” in the Speech of Heritage and L2 Students of Russian
How Can Linguistics Help Language Teaching? Multiple Wh-Questions in Russian as a Foreign Language
Affix Ordering Constraints and the Processing of Russian Derivational Morphology
O структуре экспериментального словаря глагольных модификаций русского языка (на материале глаголов звучания)
“О яблочниках и юниксоидах”: On the Word Formation of Russian Internet Terms
Demons in the Descent into Hell
Mikhail Vrubel’s Demon Series and the Reflection of Icon Painting: Between Orthodox Design and Religious Aestheticism
The Hollow Icon: The Demonic in Dostoevsky
Body/Text: Representing the Body in Polish Literature and Culture
The Grotesque Body and the Late Russian Realism
Feeling Communist
Table‑talk as literary device in The Reserve of Sergey Dovlatov
The Obshchina on the Soil of Provence. Berberova’s Poslednie i pervye (1930)
Невоплощённые замыслы Шаламова 1950-х годов
Poetry and Politics: Reading Shalamov’s Poem «Аввакум в Пустозерске» Allegorically
The Pre-History of New Formalism
Roman Jakobson and Claude Lévi-Strauss in New York in the 1940s”
Memoirs of Russian Formalism
Two Worlds in Two Words: Stal’noi Skok (1927) on Diaghilev’s Stage
Among Aesthetics: Early Soviet Dance Writing and its Interlopers
The Russian Ballet That Stayed Home: The Work of Liubov’ Blok in Early Soviet Russia
The Russian Ballet That Stayed Home: The Work of Liubov’ Blok in Early Soviet Russia
The Russian Ballet That Stayed Home: The Work of Liubov’ Blok in Early Soviet Russia
Anna Karenina as a Gothic Figure
olstoy’s Modes of Communication as Moral Indices
A Hierarchy of Hues: The Role of Color Imagery in Tolstoy’s Anna Karenina
A Hierarchy of Hues: The Role of Color Imagery in Tolstoy’s Anna Karenina
Innocents in Tolstoy’s War and Peace
“Dreadful Documents”: Language and Being in Two Copyist Tales by Nikolai Gogol
Horizontal and Vertical Law in Gogol’s Tale of the Two Ivans
Collection and Recollection for a Void in Dead Souls
At the Intersection(s) of Content, Language and Task
Moving Content to the Core
Developing Linguistic and Professional Competence: an On-line Business Ukrainian Textbook
Russian for Professionals, from Intermediate to Advanced: Challenges and Solutions
Uncle Ivan Meets the Avatar: Teaching Russian Verbs of Motion Online
Interpreting Key Words of Russian Culture through Art
A Visit to the Old Curiosity Shop: Bare ni in the Russian Universal Concessive Conditional
On Paucal Numerals and Adjectivals in Russian
Participles Come Back to Slovene
You Say ‘Gerund’ and I Say ‘Participle’, You Say ‘Morpholexical’, and I Say ‘Morphosyntactical’ … Let’s Call the Whole Thing Off!
White Horse, Yellow Dragon: A Twenty‑first Century Czech Literary Mystification
“The World is an Absolute Toy to my Absolute Will.” Ladislav Klíma's Egotism, Ludibrionism, and the Underground Culture of Czechoslovakia Under Soviet Rule
Provincial Family Portraits and the Influence of Hellmouth on the Portraiture of Dogs
The gestures of devils in Old Russian iconography: between order and disorder
The Damned Trinity: Hell, the Devil and Judas in Old-Russian Iconography and Narrative Sources
Gorbachev’s Book Perestroika i novoe myshlenie dlia nashei strany i dlia vsego mira as a Dystopian Utopia
The Chechen Wars, Ramzan Kadyrov, and Chrystal Callahan: Staging Captives in Literature and Life
Glasnost 2.0 or Cyber Curtain? Web‑based Strategies of Political Communication in Contemporary Russia
A Time for Trauma: Narrative Time in Shalamov’s Kolyma Tales
Специфика художественного времени и художественного пространства в "колымской эпопее" В.Шаламова
“Athenian Nights”: Poetry as a Physiological Drive
From Imperial Mysticism to Total Art: Encountering Nikolai Roerich through Rabindranath Tagore
Ritualizing Empire: Spectacles of Travel in the Periphery
Settlers and Titans: Inhabiting the Russian Frontier in Sergai Aksakov’s A Family Chronicle and Ivan Goncharov’s Frigate Pallas
Wrecking on Dostoevsky Street: Erenburg’s The Second Day and the Suicidal Intelligentsia
Kaverin’s Artist Unknown: An Unrepentant Painter Re‑Painting the World
Aleksei Surkov and Territorial Consciousness in the Soviet Interwar Period
he Nameless Female Other in “The Kreutzer Sonata” and “The Meek One”: Personhood and Otherness in Tolstoy and Dostoevsky
On Dostoevsky, Hegel, and the Impasse of Underground Freedom
Freedom in the Sentimental Mode: A Reexamination of Two Early Works by Dostoevsky
The Devil is in the Desinences: The Neutering of Pavlova’s Religious Poetry in the 20th Century
Ego Mori – Ergo Creo of Vl. Solovyov’s Syzygy: Quality of Author’s Absent “I” in Poems of A. Pushkin
On the Present Calamity of the Russian State: Mirzoev and Pushkin
Teaching Through Games: Let the Fun Begin
The Use of PRS Clickers in the Russian-Language Classroom
The Use of the Online Language Learning Communities and Video-conferencing Software to Enhance the Speaking Ability and Listening Comprehension of Learners of Russian
Online Film Course: Integrating Video and Metadata
Developing Russian Language Proficiency via L2 Debates
The Quality and Quantity of Reader Comprehension Strategies as a Function of Language Proficiency
Directness Level of Complaints of Russian Native Speakers and American L2 Learners of Russian
Cultural and Inter-cultural Awareness and Their Role in Informing and Enriching Students’ Communicative Competence
The Speakers' Evolving Attitudes towards Israeli Russian: A Sociolinguistic Analysis
The Sociolinguistics of Variation in Odessan Russian
Jewish Argumentation as an Element of Russian Revolutionary Rhetoric
The Poetics of Odessa: Tricksters and Looking-Glass Logic
Narrating the Center: Kiev and Moscow in 16th-century Historiography
The Faberge Imperial Eggs: A Geo-Cultural Mapping
“Every ‘Why’ Can be Reduced to ‘For What Purpose’”: Vol’fila Debates with the Formalists
Light, Liberty, and the Pursuit of Form: Formalism’s Quiet Revolution
Art of Dissimulation in Ruthenian Thought of the XVIIth Century
My Name is Ivan Solntsev: Personal and Cultural Identity in Andrei Kravchuk’s Ital’ianets
Putevoditel’ po proshlomu: Literary Depictions of Soviet Childhoods by Grishkovets and Klinau
Music and Sound in Kama Ginkas’s Комната смеха
The Transcendent Ouroboros: Mamleev’s Aesthetics of the Body
The Artist Magda Nachman in the years 1918–1921
The Symbolist in the Revolution: Valerii Briusov and the Poetics of History
History and the Self in Blok's "Vozmezdie"
Lera Auerbach’s Symphonic Interpretation of Tsvetaeva’s Poem “Novogodnee”
Music of Silence: The Creative Potential of Silence in Mandelstam’s Poetics
Love at the End of the Century: Chekhov, Zola, and Contemporary Sexual Ideology
The Burden of Superfluity: Reconsidering Female Heroism in Anton Chekhov’s The Seagull
Chekhov’s Reception in Brazilian Theater: First Moments (1940-1972)
Verisimilitude and the Golden Age in Dostoevsky
How does Myshkin Communicate? The Misstep of “Double Thought” in Dialogue
The Influence of Pushkin’s “The Station Master: on Dostoevsky’s Humiliated and Insulted: Searching for Moral Depth in Dostoevsky’s “Weak Novel”
The Russian Language in Belarus: On the Road to Pluricentricity?
A Pragmatic View of Grammatical Forms
Sociolinguistic Consequences of Migration: A Comparative Study of Migrant, Minority and Foreigner Integration
Linguistic Ecologies of Empire: Russian and Ottoman Perspectives
he iPad in a Foreign Language Classroom
Learning Communities
Teaching BCS Grammar in Context
Intermediate and Advanced Czech Through Večerníček
Experiential Language Learning: Teaching Czech to Study Abroad Students in Prague
Using Czech Fairy-Tales to Teach Literacy Skills
Using Games to Teach Czech Word Order
The Anatomy of a New Possessor in Russian
Defending Overt Predicators
Genitive of Negation as Inherent Case
Lexical-Semantic Factors in the Genitive of Negation
Using ‘here’ and ‘now’ to Establish Blended Joint Attention in Russian
Time and Space in Russian Prepositional Semantics: под “under”
Magyars as “Asiatic Horsemen” in Hungarian and Slovak Narrative
Cultural Colonization: The Case of Marquis de Custine and the Orientalizing of Russia
The Ethnographic Return to their Own People: Bogoraz and Shternberg
The Diseased Generation of the Polish Political Transition
Polish Demons, Yiddish Demonology: Kawalerowicz’s Mother Joan of the Angels and The Dybbuk
Artificial America. Imaging the Roaring Twenties in Polish Avant‑Garde Literature and Art (1918‑1939)
The Search for Love and Identity in Prešeren’s “The Baptism on the Savica”
Типология икон Богородицы: образы и традиции
Solar Calendar and Russian Fairy Tales
Exploring the Limits of Empire: Eurasianism in Pavel Krusanov’s The Bite of an Angel (1999)
Retro-future in Post-Soviet Dystopia
Victor Martinovich’s Paranoia, re: Contemporary Russophone Culture
Nabokov and Virginia Woolf’s Orlando
Mrs. Dalloway and The Defense
Creating Fact between Commentary and Autobiography: Eugene Onegin as Memory’s Rite of Passage
Imaging the Siege, Imaging the Siege Se
Terror in Search of a Face: Vsevolod Garshin’s Nadezhda Nikolaevna
Andreev's "Pan-Psikhe" Drama and Modernist Crisis of Identity
Less is More: Tracing the Development of Chekhov's Art of the Unspoken
Valerii Briusov's "Zemlia" and the Theater of Convention
Tainted Love: Empire in Turgenev's “First Love”
For Their Freedom and Ours: Herzen’s Polish Agenda
Ippolit Terent’ev as Forerunner: Contextualizing Fries’ “The Beheading of John the Baptist” in The Idiot
A Slumbering Power: Oblomov's Expanding (and Contracting) Minor Characters
The Experience of Sacred Space in L. N. Tolstoi's Anna Karenina and Gustave Flaubert's Un Coeur simple
Anna Karenina’s Faustian Pursuit of Desire
Charles Dickens in Leo Tolstoy’s Universe
Russian Heritage Language Course: Content‑Based, One‑Size‑Fits‑All Curriculum, Sociolinguistics, Pedagogically Manifested Proficiency Levels, Enrollments, and Instructor Training
Requests in Heritage Russian: A Case Study
Investigating Syntactic Complexity, Accuracy, and Fluency in the Writing of Heritage Speakers of Russian
Motivations for Possessor Dative Raising in Czech
Creating a Digital Archive of Texas Czech: Applied Documentation for the Community, Education, and Research
A Tool for Keyword Analysis in Czech
Constructions Define Aspectual Pairs in Russian
The Grammar of Slavic Honorifics
The Rehabilitation of the Dancing Body: Akim Volynskii and Vasilii Rozanov
Lyrae Personae: Blok’s Балаганчик and the Lyrical Touch
Devalued Trophy of the Tsarist Era: The Return of Alexander Vertinsky to the Soviet Land
Bella Akhmadulina: To and From Translations
he Style of Pasternak’s Translations of Shakespeare in Comparison to the Style of His Original Writings
Alec Brown as Remizov’s Translator and Promoter in Britain
Samokhvalov – A Periodization of His Illustrations
Stalinist Objectives and Invented Suitors: The Role of Romance in World War II Hero Narratives
Two Kislovodsk Stairs: The Evocation of Power in the Design of a Climbable Space
“The Battle between the Professor and the Poet”: The Soviet Artist and Punitive Psychiatry in M.A. Bulgakov’s The Master and Margarita
Микроситуация стиха в прозе поэта
“Liubliu tsezuru na vtoroi stope” — The Role of the Caesura in Russian Poetry
Mapping Petersburg’s Androgynous Zones: Sophia Petrovna’s Gender Ambiguity and Its Implications
Our Two Worlds of Chaos Called Out to Each Other:” Blok’s The Puppet Show and Andreev’s Black Maskers
From the Modern Epic to the Modern Romance of Success: Fedor Sologub’s A Legend in Creation
Rozanov’s Fallen Leaves: Undoing Tolstoy’s Path of Life
Solovyovian Aesthetics and Tolstoy’s What Is Art?
Music and Motion in Tolstoy’s The Kreutzer Sonata
Narrative Framing and the Russian Fantastic Tale
Among Honest Contrabandists: Pechorin as a Rogue Hero in Lermontov’s “Taman’”
Finding the Murder Weapon – Innovative Approaches to Using Digital Media as Learning Tools
Integrating Computer Technologies into the Language Curriculum
Digital storytelling for lower-level students
Reconciling Two Leading Recent Accounts of Russian Syntax
The Symmetry of (Anti)passives
Passivization and Argument Structure in Russian and Lithuanian
Accusative Survival in Icelandic: A View from Slavic
Attenuation by Means of the Russian Prefixes под- and при-
Keyword Analysis with a Usage-Based Perspective: A Preliminary Study in Czech
The Choice of Morpheme in Russian Factitive Verbs
A Computational Construction Grammar Approach to Structure and Meaning in Case Marking Systems
Yugoslav Identity in the Post-Yugoslav Space: National Imaginaries, Diasporic Narratives, and Space in Ministry of Pain and No Man's Land
A Man with No Country?: Danilo Kis at the Center and Periphery of Yugoslav Authorship
Regarding Socialist Realism: Miroslav Krleza's Version of a Yugoslav Literature
National Identity (De)Construction in the Russian New Wave: Kirill Serebrennikov’s Iur’ev Day (2008) and Sergei Loznitsa’s My Joy (2010)
Subtexts of Imagery in Aleksandr Sokurov’s Russian Ark (2002)
Stalingrad: Visual Memory of the Battle in Russian and German Documentary Film
Peculiarities of the National Character: Finns and Finland in the Films of Aleksandr Rogozhkin
Ethics in an Authored World: Considerations for the Ethics Question in Nabokov's Works
Nabokov's Shadow‑Line: “Shadow” in Nabokov's Aesthetics and in The Gift
Nabokov and Tennis
A Purged Monument: Yuri Trifonov's House on the Embankment
The Tolstoy Connection: The Role of the Russian Proverb in Aleksandr Solzhenitsyn's V kruge pervom
The Literary Resurrection of "Narodnaia Volia" Martyrs in Late Soviet Russia
Erecting the Khrushchevka of Acmeism: Sergei Gandlevskii and Aleksandr Blok's “Gorod” Cycle
“Так сочинилась мной элегия”: Elegiac Intonations in Oberiu poetry
Productive Rhythms”: The Sounds of China through Soviet Ears
Fathers, Sons, and Midwives: Maxim Gorky in Isaac Babel's My First Fee
Dismantling the Intersubjective Self in Dostoevsky’s “A Weak Heart”
Dostoevsky’s Gothic Cityscape: Sublime Anxiety in the Early Petersburg Prose
Dostoevsky’s Gothic Cityscape: Sublime Anxiety in the Early Petersburg Prose
The Architectonics of Insanity: Tracing Golyadkin’s Descent into Madness
The Architectonics of Insanity: Tracing Golyadkin’s Descent into Madness
Historical Distance as Poetic Laboratory: Pushkin’s Experiments in Charting the Poetic Self
Sud’ba Lichnosti – Sud’ba Kultury: the Crisis of the Middle Ages as Seen Through Pushkin’s "Skupoi rytsar’"
The Poor Knight between Madonna and Meretrix: Pushkin’s Lyrics and the Medieval Concept of Courtly Love
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