Being-Toward-Death in Tolstoj's The Death of Ivan Il&soft;i&chachek;
Natalie
Repin
The impetus of the paper is Heidegger's Tolstoj
footnote
in Being and Time which, in spite of its
brevity, seems to amount to Heidegger's recognition of Tolstoj's
successful comprehension of the question of death. The
Tolstoj-Heidegger connection has remained insufficiently addressed in
both Slavic study and philosophy, unexpectedly against the immense
significance of the two authors. As a result, the grounds of
Heidegger's recognition of Tolstoj have remained unclarified. The
present paper tries to address this lacuna by mounting an endeavor to
unpack the Tolstoj footnote of Heidegger and thereby speak to the
Tolstoj-Heidegger connection.
What the paper proposes in this regard is a reading of Tolstoj's
The Death of Ivan Il&soft;i&chachek; from the
standpoint of the concept of death, the central problematique of the
work, while the point of reference in the process is Heideggerian. The
paper is organized in three parts. Part one is an analysis of
Tolstoj's implied conception of death. The centerpiece of this
conception is what might be considered as Tolstoj's main discovery:
the incompatibility of the logic of everyday life and the logic of
death-aware life. It is this irreconcilable discrepancy that motivates
and fuels Tolstoj's critique of everydayness. As a result, two
undelineated, yet well discernible, models of existence emerge, which
may be adequately captured by Heidegger's vocabulary of inauthentic
and authentic existence. Part two of the paper presents a brief
clarification of Heidegger's concept of inauthentic and authentic
understanding of death, as well as inauthentic and authentic
existence. And finally, part three brings together Tolstoj's and
Heidegger's perspectives, with the main purpose of highlighting their
similarities and differences, already prepared by, and touched upon
in, the two preceding parts of the paper.
The result of the entire analysis is that Tolstoj, in The
Death of Ivan Il&soft;i&chachek;, has succeeded in
anticipating the main features of what Heidegger calls the authentic
understanding of death, even if Heidegger himself would not and did
not go as far as granting to Tolstoj this much. And while it would be
indeed problematic, on a variety of counts, to claim that Tolstoj
constitutes a precedence to Heidegger's existential analytic, the
comparison should underscore, however, and make conspicuous Tolstoj's
merits as regards his subtle, highly original, and in many ways
precocious fashion of relating to the question of death. The entire
analysis of the paper warrants the conclusion that it is Tolstoj's
highly sophisticated understanding of death that maintains readers'
interest to this particular work as important today even on
philosophical, not only on artistic grounds. To that effect,
Heidegger's interpretation of death mediates and accommodates
Tolstoj's philosophical relevance, for it may be viewed as both an
inadvertent elucidation of it and an incentive to its
re-appropriation. Now, this is a possible version of what could be
retrieved from the reticence of Heidegger's footnote.