Images of Russia in the Travel Letters of D. I. Fonvizin
B. R.
Johnson
In his book Inventing Eastern Europe, Larry Wolff
examines the development of the concept and image of Eastern Europe
through a detailed analysis of a variety of texts of the eighteenth
century, including travel journals, letters, and works of prominent
figures of the Enlightenment, such as Rousseau and Voltaire. Wolff
exposes the condescending and negative attitude pervading these
documents, which portray the region and its people as backward,
barbaric, and uncivilized. The negative image reflected in the
documents presented by Wolff are crucial to the understanding of the
development of the concept of Eastern Europe in Western Europe and to
the understanding of the degree to which Eastern Europe adopted the
negative concept of itself presented to it by Western Europe.
Many Russian writers of the eighteenth century upheld the belief
that Russia was backward and in need of reform, advising Eastern
Europe to look upon Western Europe, specifically France, as a model of
reform, culture and enlightenment. Denis Fonvizin, however, is an
outstanding exception to those who portrayed Western Europe and France
as the pinnacle of civilization. His Travel Letters
constitute a fruitful response and continuation of Wolff's examination
of the image of Eastern Europe. In the Travel Letters,
Fonvizin presents a scathingly sarcastic, critical view of Western
Europe, portraying it roughly in the same manner as Western Europe
portrayed Eastern Europe: backward, uncivilized, and barbaric. His
upbringing, education and career being the product of Western-style
reform, Fonvizin's criticism of Western Europe constitutes a unique
parallel and contrast to the criticism leveled toward Eastern Europe
in so far as he deems himself an equal of his Western European
counterparts in intellect, culture and civility. Fonvizin juxtaposes
the shortcomings of Western Europe with Russia, vehemently claiming
the superiority of Russia over Western Europe in terms of civility,
morality, culture and education. This paper examines the
juxtaposition of images of Russia and France in the letters that
Fonvizin wrote to his sister while traveling through France, and how
the image of Russia is praised through the deprecation of the image of
France. In these letters, Fonvizin's sarcastic wit and sharp tongue
are extremely biting and humorous. The impressions of France outlined
in the Travel Letters are extremely important to
Fonvizin's later masterpiece, Nedorosl'. As an approach,
this paper looks at the underlying distinctions presented between the
nations in terms of language, civilized behavior, including
cleanliness, civility, and hospitality, the concept of geographical
space, morality, barbarity, and racial distinctions. Focusing on these
distinctions develops a framework in which other texts of the same
period can be examined in a parallel manner.