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	Search	Home > Search > Site Map Search   Site Map AATSEEL Conference 2014 Call For Papers 2014 Special Events Calls for Papers - Admin Review CFP Abstract Upload CFP Upload Finished Dates and Deadlines Hotel and Accommodations Conference Registration 2007 Registration (Word) 2007 Registration (PDF) Audiovisual Support for Presenters Exhibitors 2012 AATSEEL Exhibitor Form conference_advertisement_2011 2011_aatseel_exhibit_order.doc 2009 Exhibit Order Form 2008_aatseel_exhibit_order_form.doc Advertiser Information Program Advertisers 2012 AATSEEL Advertisement Reservation Interviews at the AATSEEL Conference Conference Contacts 2008 Program Committee Past Conferences 2013 Conference Program Technology, the Liberal Arts, and the Russian Language Curriculum Русские собирательные числительные: семантика против грамматики Vowel Reduction and Language Change in Russian and Belarusian Verbs Russian “Purely Aspectual” Prefixes are a Verb Classifier System Khovanshchina and Musorgsky's Philosophy of Love Boris Godunov and the Terrorist Barskova's Metamorphoses Newest Tradition: Translating Maria Stepanov Anna Glazova, Poems and Photographs Disappointed Teenagers: Suicide and Trickery in Ernest Iasan’s Youth Films Sergei Parajanov: Brushes with Cultural Autonomy and Political Risk Rocking Past the Red Tape: The Rock‑n‑roll Film and the late Soviet Film Industry Osip Mandelstam and the Dating of Poetry From Native Land to No‑Land's‑Man: Marina Tsvetaeva's Renunciation of Homeland The Last Place You’d Look: Humor in Mayakovsky's Political Poemy Tears to Burn Down Cities”: Revolutionary Emotions in Mayakovsky’s Poetry The Dynamics of Bilingual Mental Lexicon: The Effects of Partial Conceptual Equivalence on Acquisition of Russian as an L2 Птица [ш]астья завтрашнего дня: The Status of “щ” in the Speech of Heritage and L2 Students of Russian How Can Linguistics Help Language Teaching? Multiple Wh-Questions in Russian as a Foreign Language Affix Ordering Constraints and the Processing of Russian Derivational Morphology O структуре экспериментального словаря глагольных модификаций русского языка (на материале глаголов звучания) “О яблочниках и юниксоидах”: On the Word Formation of Russian Internet Terms Demons in the Descent into Hell Mikhail Vrubel’s Demon Series and the Reflection of Icon Painting: Between Orthodox Design and Religious Aestheticism The Hollow Icon: The Demonic in Dostoevsky Body/Text: Representing the Body in Polish Literature and Culture The Grotesque Body and the Late Russian Realism Feeling Communist Table‑talk as literary device in The Reserve of Sergey Dovlatov The Obshchina on the Soil of Provence. Berberova’s Poslednie i pervye (1930) Невоплощённые замыслы Шаламова 1950-х годов Poetry and Politics: Reading Shalamov’s Poem «Аввакум в Пустозерске» Allegorically The Pre-History of New Formalism Roman Jakobson and Claude Lévi-Strauss in New York in the 1940s” Memoirs of Russian Formalism Two Worlds in Two Words: Stal’noi Skok (1927) on Diaghilev’s Stage Among Aesthetics: Early Soviet Dance Writing and its Interlopers The Russian Ballet That Stayed Home: The Work of Liubov’ Blok in Early Soviet Russia The Russian Ballet That Stayed Home: The Work of Liubov’ Blok in Early Soviet Russia The Russian Ballet That Stayed Home: The Work of Liubov’ Blok in Early Soviet Russia Anna Karenina as a Gothic Figure olstoy’s Modes of Communication as Moral Indices A Hierarchy of Hues: The Role of Color Imagery in Tolstoy’s Anna Karenina A Hierarchy of Hues: The Role of Color Imagery in Tolstoy’s Anna Karenina Innocents in Tolstoy’s War and Peace “Dreadful Documents”: Language and Being in Two Copyist Tales by Nikolai Gogol Horizontal and Vertical Law in Gogol’s Tale of the Two Ivans Collection and Recollection for a Void in Dead Souls At the Intersection(s) of Content, Language and Task Moving Content to the Core Developing Linguistic and Professional Competence: an On-line Business Ukrainian Textbook Russian for Professionals, from Intermediate to Advanced: Challenges and Solutions Uncle Ivan Meets the Avatar: Teaching Russian Verbs of Motion Online Interpreting Key Words of Russian Culture through Art A Visit to the Old Curiosity Shop: Bare ni in the Russian Universal Concessive Conditional On Paucal Numerals and Adjectivals in Russian Participles Come Back to Slovene You Say ‘Gerund’ and I Say ‘Participle’, You Say ‘Morpholexical’, and I Say ‘Morphosyntactical’ … Let’s Call the Whole Thing Off! White Horse, Yellow Dragon: A Twenty‑first Century Czech Literary Mystification “The World is an Absolute Toy to my Absolute Will.” Ladislav Klíma's Egotism, Ludibrionism, and the Underground Culture of Czechoslovakia Under Soviet Rule Provincial Family Portraits and the Influence of Hellmouth on the Portraiture of Dogs The gestures of devils in Old Russian iconography: between order and disorder The Damned Trinity: Hell, the Devil and Judas in Old-Russian Iconography and Narrative Sources Gorbachev’s Book Perestroika i novoe myshlenie dlia nashei strany i dlia vsego mira as a Dystopian Utopia The Chechen Wars, Ramzan Kadyrov, and Chrystal Callahan: Staging Captives in Literature and Life Glasnost 2.0 or Cyber Curtain? Web‑based Strategies of Political Communication in Contemporary Russia A Time for Trauma: Narrative Time in Shalamov’s Kolyma Tales Специфика художественного времени и художественного пространства в "колымской эпопее" В.Шаламова “Athenian Nights”: Poetry as a Physiological Drive From Imperial Mysticism to Total Art: Encountering Nikolai Roerich through Rabindranath Tagore Ritualizing Empire: Spectacles of Travel in the Periphery Settlers and Titans: Inhabiting the Russian Frontier in Sergai Aksakov’s A Family Chronicle and Ivan Goncharov’s Frigate Pallas Wrecking on Dostoevsky Street: Erenburg’s The Second Day and the Suicidal Intelligentsia Kaverin’s Artist Unknown: An Unrepentant Painter Re‑Painting the World Aleksei Surkov and Territorial Consciousness in the Soviet Interwar Period he Nameless Female Other in “The Kreutzer Sonata” and “The Meek One”: Personhood and Otherness in Tolstoy and Dostoevsky On Dostoevsky, Hegel, and the Impasse of Underground Freedom Freedom in the Sentimental Mode: A Reexamination of Two Early Works by Dostoevsky The Devil is in the Desinences: The Neutering of Pavlova’s Religious Poetry in the 20th Century Ego Mori – Ergo Creo of Vl. Solovyov’s Syzygy: Quality of Author’s Absent “I” in Poems of A. Pushkin On the Present Calamity of the Russian State: Mirzoev and Pushkin Teaching Through Games: Let the Fun Begin The Use of PRS Clickers in the Russian-Language Classroom The Use of the Online Language Learning Communities and Video-conferencing Software to Enhance the Speaking Ability and Listening Comprehension of Learners of Russian Online Film Course: Integrating Video and Metadata Developing Russian Language Proficiency via L2 Debates The Quality and Quantity of Reader Comprehension Strategies as a Function of Language Proficiency Directness Level of Complaints of Russian Native Speakers and American L2 Learners of Russian Cultural and Inter-cultural Awareness and Their Role in Informing and Enriching Students’ Communicative Competence The Speakers' Evolving Attitudes towards Israeli Russian: A Sociolinguistic Analysis The Sociolinguistics of Variation in Odessan Russian Jewish Argumentation as an Element of Russian Revolutionary Rhetoric The Poetics of Odessa: Tricksters and Looking-Glass Logic Narrating the Center: Kiev and Moscow in 16th-century Historiography The Faberge Imperial Eggs: A Geo-Cultural Mapping “Every ‘Why’ Can be Reduced to ‘For What Purpose’”: Vol’fila Debates with the Formalists Light, Liberty, and the Pursuit of Form: Formalism’s Quiet Revolution Art of Dissimulation in Ruthenian Thought of the XVIIth Century My Name is Ivan Solntsev: Personal and Cultural Identity in Andrei Kravchuk’s Ital’ianets Putevoditel’ po proshlomu: Literary Depictions of Soviet Childhoods by Grishkovets and Klinau Music and Sound in Kama Ginkas’s Комната смеха The Transcendent Ouroboros: Mamleev’s Aesthetics of the Body The Artist Magda Nachman in the years 1918–1921 The Symbolist in the Revolution: Valerii Briusov and the Poetics of History History and the Self in Blok's "Vozmezdie" Lera Auerbach’s Symphonic Interpretation of Tsvetaeva’s Poem “Novogodnee” Music of Silence: The Creative Potential of Silence in Mandelstam’s Poetics Love at the End of the Century: Chekhov, Zola, and Contemporary Sexual Ideology The Burden of Superfluity: Reconsidering Female Heroism in Anton Chekhov’s The Seagull Chekhov’s Reception in Brazilian Theater: First Moments (1940-1972) Verisimilitude and the Golden Age in Dostoevsky How does Myshkin Communicate? The Misstep of “Double Thought” in Dialogue The Influence of Pushkin’s “The Station Master: on Dostoevsky’s Humiliated and Insulted: Searching for Moral Depth in Dostoevsky’s “Weak Novel” The Russian Language in Belarus: On the Road to Pluricentricity? A Pragmatic View of Grammatical Forms Sociolinguistic Consequences of Migration: A Comparative Study of Migrant, Minority and Foreigner Integration Linguistic Ecologies of Empire: Russian and Ottoman Perspectives he iPad in a Foreign Language Classroom Learning Communities Teaching BCS Grammar in Context Intermediate and Advanced Czech Through Večerníček Experiential Language Learning: Teaching Czech to Study Abroad Students in Prague Using Czech Fairy-Tales to Teach Literacy Skills Using Games to Teach Czech Word Order The Anatomy of a New Possessor in Russian Defending Overt Predicators Genitive of Negation as Inherent Case Lexical-Semantic Factors in the Genitive of Negation Using ‘here’ and ‘now’ to Establish Blended Joint Attention in Russian Time and Space in Russian Prepositional Semantics: под “under” Magyars as “Asiatic Horsemen” in Hungarian and Slovak Narrative Cultural Colonization: The Case of Marquis de Custine and the Orientalizing of Russia The Ethnographic Return to their Own People: Bogoraz and Shternberg The Diseased Generation of the Polish Political Transition Polish Demons, Yiddish Demonology: Kawalerowicz’s Mother Joan of the Angels and The Dybbuk Artificial America. Imaging the Roaring Twenties in Polish Avant‑Garde Literature and Art (1918‑1939) The Search for Love and Identity in Prešeren’s “The Baptism on the Savica” Типология икон Богородицы: образы и традиции Solar Calendar and Russian Fairy Tales Exploring the Limits of Empire: Eurasianism in Pavel Krusanov’s The Bite of an Angel (1999) Retro-future in Post-Soviet Dystopia Victor Martinovich’s Paranoia, re: Contemporary Russophone Culture Nabokov and Virginia Woolf’s Orlando Mrs. Dalloway and The Defense Creating Fact between Commentary and Autobiography: Eugene Onegin as Memory’s Rite of Passage Imaging the Siege, Imaging the Siege Se Terror in Search of a Face: Vsevolod Garshin’s Nadezhda Nikolaevna Andreev's "Pan-Psikhe" Drama and Modernist Crisis of Identity Less is More: Tracing the Development of Chekhov's Art of the Unspoken Valerii Briusov's "Zemlia" and the Theater of Convention Tainted Love: Empire in Turgenev's “First Love” For Their Freedom and Ours: Herzen’s Polish Agenda Ippolit Terent’ev as Forerunner: Contextualizing Fries’ “The Beheading of John the Baptist” in The Idiot A Slumbering Power: Oblomov's Expanding (and Contracting) Minor Characters The Experience of Sacred Space in L. N. Tolstoi's Anna Karenina and Gustave Flaubert's Un Coeur simple Anna Karenina’s Faustian Pursuit of Desire Charles Dickens in Leo Tolstoy’s Universe Russian Heritage Language Course: Content‑Based, One‑Size‑Fits‑All Curriculum, Sociolinguistics, Pedagogically Manifested Proficiency Levels, Enrollments, and Instructor Training Requests in Heritage Russian: A Case Study Investigating Syntactic Complexity, Accuracy, and Fluency in the Writing of Heritage Speakers of Russian Motivations for Possessor Dative Raising in Czech Creating a Digital Archive of Texas Czech: Applied Documentation for the Community, Education, and Research A Tool for Keyword Analysis in Czech Constructions Define Aspectual Pairs in Russian The Grammar of Slavic Honorifics The Rehabilitation of the Dancing Body: Akim Volynskii and Vasilii Rozanov Lyrae Personae: Blok’s Балаганчик and the Lyrical Touch Devalued Trophy of the Tsarist Era: The Return of Alexander Vertinsky to the Soviet Land Bella Akhmadulina: To and From Translations he Style of Pasternak’s Translations of Shakespeare in Comparison to the Style of His Original Writings Alec Brown as Remizov’s Translator and Promoter in Britain Samokhvalov – A Periodization of His Illustrations Stalinist Objectives and Invented Suitors: The Role of Romance in World War II Hero Narratives Two Kislovodsk Stairs: The Evocation of Power in the Design of a Climbable Space “The Battle between the Professor and the Poet”: The Soviet Artist and Punitive Psychiatry in M.A. Bulgakov’s The Master and Margarita Микроситуация стиха в прозе поэта “Liubliu tsezuru na vtoroi stope” — The Role of the Caesura in Russian Poetry Mapping Petersburg’s Androgynous Zones: Sophia Petrovna’s Gender Ambiguity and Its Implications Our Two Worlds of Chaos Called Out to Each Other:” Blok’s The Puppet Show and Andreev’s Black Maskers From the Modern Epic to the Modern Romance of Success: Fedor Sologub’s A Legend in Creation Rozanov’s Fallen Leaves: Undoing Tolstoy’s Path of Life Solovyovian Aesthetics and Tolstoy’s What Is Art? Music and Motion in Tolstoy’s The Kreutzer Sonata Narrative Framing and the Russian Fantastic Tale Among Honest Contrabandists: Pechorin as a Rogue Hero in Lermontov’s “Taman’” Finding the Murder Weapon – Innovative Approaches to Using Digital Media as Learning Tools Integrating Computer Technologies into the Language Curriculum Digital storytelling for lower-level students Reconciling Two Leading Recent Accounts of Russian Syntax The Symmetry of (Anti)passives Passivization and Argument Structure in Russian and Lithuanian Accusative Survival in Icelandic: A View from Slavic Attenuation by Means of the Russian Prefixes под- and при- Keyword Analysis with a Usage-Based Perspective: A Preliminary Study in Czech The Choice of Morpheme in Russian Factitive Verbs A Computational Construction Grammar Approach to Structure and Meaning in Case Marking Systems Yugoslav Identity in the Post-Yugoslav Space: National Imaginaries, Diasporic Narratives, and Space in Ministry of Pain and No Man's Land A Man with No Country?: Danilo Kis at the Center and Periphery of Yugoslav Authorship Regarding Socialist Realism: Miroslav Krleza's Version of a Yugoslav Literature National Identity (De)Construction in the Russian New Wave: Kirill Serebrennikov’s Iur’ev Day (2008) and Sergei Loznitsa’s My Joy (2010) Subtexts of Imagery in Aleksandr Sokurov’s Russian Ark (2002) Stalingrad: Visual Memory of the Battle in Russian and German Documentary Film Peculiarities of the National Character: Finns and Finland in the Films of Aleksandr Rogozhkin Ethics in an Authored World: Considerations for the Ethics Question in Nabokov's Works Nabokov's Shadow‑Line: “Shadow” in Nabokov's Aesthetics and in The Gift Nabokov and Tennis A Purged Monument: Yuri Trifonov's House on the Embankment The Tolstoy Connection: The Role of the Russian Proverb in Aleksandr Solzhenitsyn's V kruge pervom The Literary Resurrection of "Narodnaia Volia" Martyrs in Late Soviet Russia Erecting the Khrushchevka of Acmeism: Sergei Gandlevskii and Aleksandr Blok's “Gorod” Cycle “Так сочинилась мной элегия”: Elegiac Intonations in Oberiu poetry Productive Rhythms”: The Sounds of China through Soviet Ears Fathers, Sons, and Midwives: Maxim Gorky in Isaac Babel's My First Fee Dismantling the Intersubjective Self in Dostoevsky’s “A Weak Heart” Dostoevsky’s Gothic Cityscape: Sublime Anxiety in the Early Petersburg Prose Dostoevsky’s Gothic Cityscape: Sublime Anxiety in the Early Petersburg Prose The Architectonics of Insanity: Tracing Golyadkin’s Descent into Madness The Architectonics of Insanity: Tracing Golyadkin’s Descent into Madness Historical Distance as Poetic Laboratory: Pushkin’s Experiments in Charting the Poetic Self Sud’ba Lichnosti – Sud’ba Kultury: the Crisis of the Middle Ages as Seen Through Pushkin’s "Skupoi rytsar’" The Poor Knight between Madonna and Meretrix: Pushkin’s Lyrics and the Medieval Concept of Courtly Love Special Events 2012 Conference Program Panels Panels Panels 2011 Program 2011 Proposed Panels 2011 Conference Special Events 2009 Conference Special Events 2009 Conference Program Balladyna AATSEEL 2008 (San Francisco) AATSEEL 2007 (Chicago, IL) 2007 Conference Program 2007 Call for Papers Session Declaration Form Declared Panels Abstract Guidelines Guidelines for AATSEEL Affiliate Panels Guidelines for Participating in the Russian Poetry Reading Deadlines Contact Persons Equipment Guidelines 2007 Panel Proposals Guide to Transliteration Conference Deadlines Program Committee Proposed Panels AATSEEL 2006 (Philadelphia, PA) 28A-2 Panel: Defining Genres and Aesthetic Programs 28A-3 Panel: Writing the Soviet Reader, 1917-1941 28A-4 Panel: Classical Connections in Russian Literature 28A-5 Panel: Issues in Slavic and East European Folklore 28A-6 Panel: Semantics and Discourse 28A-7 Panel: Technology and Language Teaching 28B-1 Panel: Tolstoy and Dostoevsky: The Self, the Word, and Power AATSEEL 2005 (Washington, DC) AATSEEL 2004 (Philadelphia) AATSEEL 2003 (San Diego) AATSEEL 2002 (New York) AATSEEL 2001 (New Orleans) AATSEEL 2000 (Washington, DC) AATSEEL 1999 (Chicago) AATSEEL 1998 (San Francisco) 2012 Conference Special Events AATSEEL 2007 Program Proposals 2013 Special Events Conference Program 2013 AATSEEL Advertiser Form 2011_program 2008_aatseel_exhibit_order_form.doc Preliminary Conference Program Audiovisual Equipment for Presenters Guide to Transliteration   About AATSEEL Executive Council Executive Council - 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